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Science-Fiction-Film

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Science-Fiction ist ein Filmgenre, dem Filme zugeordnet werden, die sich mit fiktionalen Techniken sowie wissenschaftlichen Leistungen und deren möglichen​. Entdecke die besten Science Fiction-Filme: Inception, Blade Runner, Das Imperium schlägt zurück, Matrix, Uhrwerk Orange. Geplante Fortsetzung der „Transformers“-Filmreihe, in der gute Autobots auf der Erde gegen böse Decepticons kämpfen. Genre: Science-Fiction-Film. User-. Und bis dahin: Viel Spaß mit unserer Top-Liste der 80 besten Science-Fiction-​Filme aller Zeiten! Twentieth Century Fox. Die besten Sci-Fi-Filme –. Finden Sie Ihre Lieblings-Science-Fiction-Filme: Alle Filme des Genres Science-​Fiction, sortiert von A bis Z. Science-Fiction. Aliens Roboter. Superhelden. Und sogar ein bisschen Romantik​. Erleben Sie die besten Sci-Fi-Filme aus Hollywood – und der ganzen Welt. Science-Fiction Filme in der Übersicht: Entdecken Sie die Fixsterne und Sternschnuppen des Science-Fiction-Kinos - von "Die Reise zum Mond" bis zum "Krieg.

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Sci-Fi Movies 2020 - Best Free Science Fiction Sci-Fi Movies Full Length English No Ads The way ahead is full of stars — we only need the minds to take in the view. Directed By: Frank Oz. Critics Consensus: While admittedly melodramatic and uneven in spots, Soylent Green Die Liebe Deines Lebens Film succeeds with its dark, plausible vision of a dystopian future. Buy, rent or watch 'Things to Come'. Ozark Cast Iron Giant CyclopsThe Devil CommandsDr.

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Directed By: Irvin S. Critics Consensus: Scanners is a dark sci-fi story with special effects that'll make your head explode. Directed By: David Cronenberg.

Critics Consensus: Eerily prescient in its presentation of a dystopian future, Things to Come's special effects may be somewhat dated, but its potent ideas haven't aged at all.

Directed By: William Cameron Menzies. Critics Consensus: Cube sometimes struggles with where to take its intriguing premise, but gripping pace and an impressive intelligence make it hard to turn away.

Directed By: Vincenzo Natali. Critics Consensus: Strange Days struggles to make the most of its futuristic premise, but what's left remains a well-directed, reasonably enjoyable sci-fi fantasy.

Directed By: Kathryn Bigelow. Critics Consensus: It's sexist, juvenile, and dated, but Heavy Metal makes up for its flaws with eye-popping animation and a classic, smartly used soundtrack.

Directed By: Jimmy T. Murakami , Gerald Potterton. Critics Consensus: An offbeat, eccentric black comedy, A Boy and His Dog features strong dialogue and an oddball vision of the future.

Directed By: L. Critics Consensus: A curious, not always seamless, amalgamation of Kubrick's chilly bleakness and Spielberg's warm-hearted optimism, A.

Critics Consensus: No consensus yet. Critics Consensus: Danny Boyle continues his descent into mind-twisting sci-fi madness, taking us along for the ride.

Directed By: Danny Boyle. Starring: Anne Carlisle , Paula E. Sheppard , Susan Doukas , Otto von Wernherr. Directed By: Slava Tsukerman.

Critics Consensus: A loopy satire, Dark Star may not be the most consistent sci-fi comedy, but its portrayal of human eccentricity is a welcome addition to the genre.

Directed By: John Carpenter. Critics Consensus: Following its own brand of logic, Paprika is an eye-opening mind trip that is difficult to follow but never fails to dazzle.

Directed By: Satoshi Kon. Critics Consensus: Snappy dialogue and goofy characters make this Wild Wild West soap opera in space fun and adventurous.

Directed By: Joss Whedon. Critics Consensus: A nostalgic ode to kids' movies of yesteryear, Turbo Kid eyes the past through an entertaining -- albeit surprisingly gory -- postmodern lens.

Critics Consensus: George Lucas' feature debut presents a spare, bleak, dystopian future, and features evocatively minimal set design and creepy sound effects.

Directed By: George Lucas. Critics Consensus: Effortlessly mixing scares, laughs, and social commentary, Attack the Block is a thrilling, brisky-paced sci-fi yarn with a distinctly British flavor.

Directed By: Joe Cornish. Critics Consensus: Like its augmented protagonist, Upgrade's old-fashioned innards get a high-tech boost -- one made even more powerful thanks to sharp humor and a solidly well-told story.

Directed By: Leigh Whannell. Critics Consensus: While fans of the series will surely appreciate it, First Contact is exciting, engaging, and visually appealing enough to entertain Star Trek novices.

Directed By: Jonathan Frakes. Directed By: Edgar Wright. Critics Consensus: Employing gritty camerawork and evocative sound effects, Invasion of the Body Snatchers is a powerful remake that expands upon themes and ideas only lightly explored in the original.

Directed By: Philip Kaufman. Critics Consensus: As populace pleasing as it is intellectually satisfying, The Host combines scares, laughs, and satire into a riveting, monster movie.

Directed By: Bong Joon Ho. Critics Consensus: A Quiet Place artfully plays on elemental fears with a ruthlessly intelligent creature feature that's as original as it is scary -- and establishes director John Krasinski as a rising talent.

Directed By: John Krasinski. Critics Consensus: Packed with action and populated by both familiar faces and fresh blood, The Force Awakens successfully recalls the series' former glory while injecting it with renewed energy.

Directed By: J. Critics Consensus: Repo Man is many things: an alien-invasion film, a punk-rock musical, a send-up of consumerism. Directed By: Alex Cox.

Critics Consensus: A fun movie Directed By: Paul Verhoeven. Critics Consensus: Visually inventive and gleefully over the top, Luc Besson's The Fifth Element is a fantastic piece of pop sci-fi that never takes itself too seriously.

Directed By: Luc Besson. Critics Consensus: Visually stunning and thought-provoking, V For Vendetta's political pronouncements may rile some, but its story and impressive set pieces will nevertheless entertain.

Directed By: James McTeigue. Critics Consensus: Fueled by bombastic violence and impressive special effects, rooted in self-satire and deadpan humor, Dredd 3D does a remarkable job of capturing its source material's gritty spirit.

Directed By: Pete Travis. Critics Consensus: Featuring director John Sayles trademark humanity and an expressive performance from Joe Morton, The Brother from Another Planet is an observant, dryly comic sci-fi gem.

Directed By: John Sayles. Critics Consensus: Sci-fi parodies like these usually struggle to work, but Buckaroo Banzai succeeds through total devotion to its own lunacy.

Directed By: W. Critics Consensus: With World on a Wire, Fassbinder imprints his unmistakable mark on a science fiction mystery that, through fascinating philosophical discussions and deep psychological questions, presents a timely reflection on humanity.

Critics Consensus: Stylishly gloomy, Dark City offers a polarizing whirl of arresting visuals and noirish action. Directed By: Alex Proyas. Critics Consensus: Its message may prove elusive for some, but with absorbing imagery and a mesmerizing performance from Scarlett Johansson, Under the Skin is a haunting viewing experience.

Directed By: Jonathan Glazer. Critics Consensus: Filled with stunning imagery, The Man Who Fell to Earth is a calm, meditative film that profoundly explores our culture's values and desires.

Directed By: Nicolas Roeg. Critics Consensus: David Cronenberg combines his trademark affinity for gore and horror with strongly developed characters, making The Fly a surprisingly affecting tragedy.

Critics Consensus: A sort of Blair Witch Project crossed with Godzilla, Cloverfield is economically paced, stylistically clever, and filled with scares.

Miller , Michael Stahl-David. Directed By: Matt Reeves. Critics Consensus: Thanks to a smart script, spectacular set pieces, and charismatic performances from its leads, Men in Black is an entirely satisfying summer blockbuster hit.

Directed By: Barry Sonnenfeld. Critics Consensus: Though perhaps not as strong dramatically as it is technologically, TRON is an original and visually stunning piece of science fiction that represents a landmark work in the history of computer animation.

Directed By: Steven Lisberger. Critics Consensus: Bumblebee proves it's possible to bring fun and a sense of wonder back to a bloated blockbuster franchise -- and sets up its own slate of sequels in the bargain.

Directed By: Travis Knight. Critics Consensus: The plot is thin and so is character development, but as a thrilling, spectacle-filled summer movie, Independence Day delivers.

Directed By: Roland Emmerich. Critics Consensus: Unevenly paced and thoroughly cheesy, Barbarella is nonetheless full of humor, entertaining visuals, and Jane Fonda's sex appeal.

Directed By: Roger Vadim. Critics Consensus: Richard Kelly's debut feature Donnie Darko is a daring, original vision, packed with jarring ideas and intelligence and featuring a remarkable performance from Jake Gyllenhaal as the troubled title character.

Directed By: Richard Kelly. Critics Consensus: It may sport more style than substance, but Pacific Rim is a solid modern creature feature bolstered by fantastical imagery and an irresistible sense of fun.

Directed By: Guillermo del Toro. Critics Consensus: Frustratingly uneven yet enjoyable overall, Idiocracy skewers society's devolution with an amiably goofy yet deceptively barbed wit.

Directed By: Mike Judge. Critics Consensus: Fahrenheit is an intriguing film that suffuses Truffaut's trademark wit and black humor with the intelligence and morality of Ray Bradbury's novel.

Critics Consensus: A better-than-average sci-fi shoot-em-up with a satirical undercurrent, Demolition Man is bolstered by strong performances by Sylvester Stallone, Wesley Snipes, and Sandra Bullock.

Directed By: Marco Brambilla. Critics Consensus: A faithful adaptation of Philip K. Directed By: Richard Linklater. Critics Consensus: Finding the human story amidst the action, director Duncan Jones and charming Jake Gyllenhaal craft a smart, satisfying sci-fi thriller.

Directed By: Duncan Jones. Critics Consensus: The utterly gorgeous special effects frequently overshadow the fact that The Abyss is also a totally gripping, claustrophobic thriller, complete with an interesting crew of characters.

Directed By: James Cameron. Critics Consensus: Led by Rupert Wyatt's stylish direction, some impressive special effects, and a mesmerizing performance by Andy Serkis, Rise of the Planet of the Apes breathes unlikely new life into a long-running franchise.

Directed By: Rupert Wyatt. Critics Consensus: Extraordinarily daring for a Hollywood film, Altered States attacks the viewer with its inventive, aggressive mix of muddled sound effects and visual pyrotechnics.

Directed By: Ken Russell. Critics Consensus: Fun genre fare with uncommon intelligence, Predestination serves as a better-than-average sci-fi adventure -- and offers a starmaking turn from Sarah Snook.

Critics Consensus: A politically subversive blend of horror and sci fi, They Live is an underrated genre film from John Carpenter. Critics Consensus: Featuring dazzling, disorienting cinematography from the great James Wong Howe and a strong lead performance by Rock Hudson, Seconds is a compellingly paranoid take on the legend of Faust.

Directed By: John Frankenheimer. Critics Consensus: While admittedly melodramatic and uneven in spots, Soylent Green ultimately succeeds with its dark, plausible vision of a dystopian future.

Starring: Charlton Heston , Edward G. Directed By: Richard Fleischer. Critics Consensus: One of Disney's finest live-action adventures, 20, Leagues Under the Sea brings Jules Verne's classic sci-fi tale to vivid life, and features an awesome giant squid.

Critics Consensus: Thrilling and superbly acted, The Hunger Games captures the dramatic violence, raw emotion, and ambitious scope of its source novel.

Directed By: Gary Ross. Critics Consensus: It might be more impressive on a technical level than as a piece of storytelling, but Avatar reaffirms James Cameron's singular gift for imaginative, absorbing filmmaking.

Critics Consensus: Thought-provoking and visceral, Steven Spielberg successfully combines high concept ideas and high octane action in this fast and febrile sci-fi thriller.

Critics Consensus: While Alphaville is by no means a conventional sci-fi film, Jean-Luc Godard creates a witty, noir-ish future all his own.

Directed By: Jean-Luc Godard. Critics Consensus: One of the best creature features of the early atomic age, Them!

Directed By: Gordon Douglas. Critics Consensus: Visually audacious, disorienting, and just plain weird, Videodrome's musings on technology, entertainment, and politics still feel fresh today.

Critics Consensus: Snowpiercer offers an audaciously ambitious action spectacular for filmgoers numb to effects-driven blockbusters.

Critics Consensus: One of the best political allegories of the s, Invasion of the Body Snatchers is an efficient, chilling blend of sci-fi and horror.

Directed By: Don Siegel. Critics Consensus: Predator: Part sci-fi, part horror, part action -- all muscle. Directed By: Shane Black.

Critics Consensus: Planet of the Apes raises thought-provoking questions about our culture without letting social commentary get in the way of the drama and action.

Directed By: Franklin J. Critics Consensus: The Road Warrior is everything a bigger-budgeted Mad Max sequel with should be: bigger, faster, louder, but definitely not dumber.

Directed By: George Miller. Critics Consensus: Star Trek reignites a classic franchise with action, humor, a strong story, and brilliant visuals, and will please traditional Trekkies and new fans alike.

Critics Consensus: Featuring an atmospherically grimy futuristic metropolis, Escape from New York is a strange, entertaining jumble of thrilling action and oddball weirdness.

Directed By: Byron Haskin. Critics Consensus: Visually stunning and narratively satisfying, Blade Runner deepens and expands its predecessor's story while standing as an impressive filmmaking achievement in its own right.

Directed By: Denis Villeneuve. Critics Consensus: Intelligent and humorous satire with an excellent cast -- no previous Trekkie knowledge needed to enjoy this one.

Directed By: Dean Parisot. Critics Consensus: The special effects may be a bit dated today, but Fantastic Voyage still holds up well as an imaginative journey into the human body.

Critics Consensus: Solaris is a haunting, meditative film that uses sci-fi to raise complex questions about humanity and existence.

Directed By: Andrei Tarkovsky. Critics Consensus: Sweet, soulful, and smart, Spike Jonze's Her uses its just-barely-sci-fi scenario to impart wryly funny wisdom about the state of modern human relationships.

Directed By: Spike Jonze. Critics Consensus: The endearing Iron Giant tackles ambitious topics and complex human relationships with a steady hand and beautifully animated direction from Brad Bird.

Directed By: Brad Bird. Critics Consensus: Fantastic Planet is an animated epic that is by turns surreal and lovely, fantastic and graceful.

Critics Consensus: Under Paul Verhoeven's frenetic direction, Total Recall is a fast-paced rush of violence, gore, and humor that never slacks.

Never a critical favourite, the French filmmaking magnate Luc Besson has resolutely persisted in following his own idiosyncratic taste, and this wayward fantasy has an individuality distinct from Hollywood formula.

But boy, did Besson assemble a crack team to visualise it. Buy, rent or watch 'They Live'. Unable to manage their waste output, humans have evacuated Earth, leaving robots behind to clean up the mess.

Soon enough, though, they have other problems to worry about, like the bouncy alien — who looks like a beach ball with claws — wandering the corridors, or the malfunctioning talking bomb that tries to existentially justify its need to explode and kill everyone onboard.

Buy, rent or watch 'Dark Star'. The next time you hear a friend bemoaning the Hollywood remake factory, send them a link to this list.

As the film progresses, the clammy hand of paranoia tightens its grip — and the final shot is a sucker-punch like no other.

Buy, rent or watch 'Invasion of the Body Snatchers'. The film admirably credits the audience with the intelligence to decipher the clues in its elliptical narrative, gradually picking its way towards a state somewhere between paranoid anxiety and head-spinning dizziness.

Buy, rent or watch 'Primer'. For this story, Page and co are employed on an upping-the-ante mission: to insert rather than remove an idea into the head of a corporate bigwig Cillian Murphy in order to sate the ambitions of a business rival Ken Watanabe.

Most memorable are some jaw-dropping set pieces where Nolan and his team ostentatiously flex their special-effects muscles, most notably a scene that sees Page and DiCaprio walk through Paris as the streets appear to fold up and over before their eyes.

Buy, rent or watch 'Inception'. With his orange hair and a perceptible coked-up jitteriness, Bowie is perfect as the alien, Thomas Jerome Newton: spiky, awkward, uncomfortable in his own skin.

But the real stranger in this strange land was cult director Nicolas Roeg, fascinated by the American Southwest — its listless nurses the brilliant Candy Clark and bored college professors a fearless Rip Torn.

The movie is filled with daydreamers desperate for a sense of purpose. They instead find television, guns, alcohol and inertia.

The result is wickedly smart and knowingly in-jokey without ever ahem alienating the non-nerds. Buy, rent or watch 'Galaxy Quest'. In a future where plants have become extinct on earth, a handful of starships act as greenhouses, preserving the few remaining specimens in the hope of eventually reforesting the planet.

He rebels, kills his co-workers and heads off to tend to his plants with a couple of trusty robots in tow. The film may not have aged perfectly we can live without those willowy Joan Baez numbers , and Lowell is a bit of a blowhard.

But the message is eternal: whatever the risks, man must be his own saviour. Buy, rent or watch 'Silent Running'. Buy, rent or watch 'Gattaca'.

This being Hollywood, suave Michael Rennie was perfectly cast as the angular alien — after all, he came from the distant galaxy of Bradford.

All well and good until the security system failsis tampered with and a T-Rex and friends go on a chomping rampage. The cast, led by Sam Neill as a gruff, kid-hating paleontologist and Jeff Goldblum as a chaos-theory rockstar, is an absolute delight.

And Spielberg knows how to build a nail-biter of a set-piece, like the now iconic but ever so tense velociraptor kitchen sequence or the central tyrannosaurus attack that was a landmark showcase for then-nascent CGI technology and which, over 25 years later, still looks pretty impressive.

While the film's numerous sequels hagve varied in quality — definitely avoid the third outing — 'Jurassic Park' remains a gold standard when it comes to huge Hollywood blockbusters.

Buy, rent or watch 'Jurassic Park'. Effectively, the film splits society into three species: warlike gorillas, intellectual orangutans and cautious chimpanzees what happened to the gibbons?

A recent run of entertaining prequels have only served to enrich the original. Buy, rent or watch 'Planet of the Apes'.

Don't despair, struggling filmmakers: you can make your sci-fi classic without a James Cameron-sized budget or any budget, really. Nor do you need a feature-length running time or, amazingly, a motion-picture camera.

In it, Paris is reduced to radioactive rubble, but scientists living underground hope to send a dreamer back in time via his strong memories of an alluring woman.

The guy sees her in his mind, they begin to flirt and fall in love, and who can blame him if he never wants to return? Kubrick and Burgess were satirising new forms of psychotherapy, while Cold War totalitarianism was also on their minds.

Sci-fi fans will also appreciate that a minor character, Julian, is played by Dave Prowse, aka Darth Vader. Buy, rent or watch 'A Clockwork Orange'.

Establishment scaremongering about the communist threat against American freedom of conscience seemingly underpins this drumhead-tight B-thriller about sinister extraterrestrial pods taking over small-town California in its sleep.

Bruce Willis plays a low-level criminal in a future earth destroyed by disease, sent back in time to trace the roots of the plague.

In the process he manages to fall in love with Madeleine Stowe fair enough and gets banged up in a mental institution where he stumbles upon Brad Pitt in one of his first and finest roles as a demented, jittery environmental terrorist.

But this is such a bizarre mind-fuck of a film that it hardly matters. Plus, you get to see our Bruce wearing a blonde wig and Hawaiian shirt, which is a huge bonus.

Oscar Isaac chills as Nathan, the psychopathic yet charismatic billionaire founder of the search engine company that protagonist Caleb, played by Domhnall Gleeson, works for.

Circumstances send David on a dangerous journey to discover his maker, a nightmarish trek with many allusions to that other lost boy, Pinocchio that includes a sinister mechanical gigolo Law , a tech-phobic Flesh Fair, a visit to a half-submerged Manhattan and a controversial, highly emotional climax that lingers in the heart and the mind.

Buy, rent or watch 'AI Artificial Intelligence'. Gondry became more capable than his usual craftsy music videos, and Charlie Kaufman, the screenwriter, proved himself deeper than his reputation suggested.

The biggest revelation comes in the shape of Jim Carrey and his turn as the squirmingly uncomfortable Joel.

Meanwhile, Kate Winslet plays Clementine, one of the great sphinxes in modern movies: voluminous, punkish, soulful, cherishable.

She would be hard to forget after a breakup. Buy, rent or watch 'Eternal Sunshine of the Spotless Mind'. Let it be stressed: at the root of every great sci-fi film is a killer script, not special effects or lasers.

It helps when your star is Michael J Fox, captured at the peak of his youthful heroism. Buy, rent or watch 'Back to the Future'. Add to this some still-impressive effects, a wonderful swooping electronic score and the dry, ironic presence of that mechanical icon Robbie the Robot, and the result is a film that stands up to modern scrutiny at every turn.

Buy, rent or watch 'Forbidden Planet'. Buy, rent or watch 'The Fly'. Everything in this nightmare vision of the future is recognisable. What qualifies it as sci-fi is the setting and global infertility crisis — no child has been born since Like the city, Clive Owen, a pen-pusher at the Ministry of Energy, is a shell of a man, talked by his ex, the leader of a terrorist guerrilla group, into aiding an African refugee.

Buy, rent or watch 'Children of Men'. Our human protagonist is Kris Kelvin Donatas Banionis , a grief-stricken scientist still mourning his long-dead wife, Hari.

After an earthbound prologue that culminates in a mesmerising drive through an otherworldly metropolis, Kelvin journeys to a space station orbiting Solaris, a sentient planet that apparently has the power to resurrect dead beings.

In the midst of investigating these claims, his spouse Natalya Bondarchuk miraculously reappears, and things only get stranger from there. Buy, rent or watch 'Solaris'.

Forget all the time-hopping, helicopter-exploding and banging on about destiny — at heart, this is a story about people, whether real or fabricated: their loves, their friendships, their failings and their regrets.

Buy, rent or watch 'Terminator 2: Judgement Day'. Buy, rent or watch 'Stalker'. But it also deals with the sheer overwhelming monotony of everyday life and the crushing depression of solitude.

We only wish that more contemporary sci-fi emphasised ideas over explosions. Buy, rent or watch 'Moon'. Those pitiful sequels may have gone and ruined it all with impenetrable cod-philosophising and crusty rave chic, but for a moment this really did feel like the future of film.

Buy, rent or watch 'The Matrix'. A helicopter flies in low over an American scientific research station in the Antarctic. The dog turns out to be a parasitic alien organism that can imitate any life form, and which proceeds to pick off the Yankees one by one.

John Carpenter prolongs this gut-twistingly tense paranoia throughout the whole film, and Kurt Russell leads an ensemble cast of totally believable, blue collar guys, bored to death and stir crazy.

Not anymore. When the Frenchman found out that said family flick would also involve a stranded alien, he laughed out loud.

Minute in scale, intimate in tone, it is one of the finest films ever made about how kids think and how families fit together. Buy, rent or watch 'ET the Extra-Terrestrial'.

Nowhere is this more true than in the feisty Bogart-Bacall interactions between rakish rogue Harrison Ford and ice princess Carrie Fisher — their on-set dust-ups may be legendary, but their on-screen chemistry is unmistakable.

Buy, rent or watch 'The Empire Strikes Back'. While promoting that quickie horror sequel, a dream of a metallic torso pulling itself from an explosion sparked his imagination.

The story is blissfully pulpy: a killer robot in synthetic skin Schwarzenegger, then best known for playing a sword-wielding comic-book barbarian is sent back in time from a ruined Earth to the present day.

His task is to murder Sarah Connor Hamilton , the mother of the future saviour of humanity. Buy, rent or watch 'The Terminator'.

But over time it has become perhaps the most imitated sci-fi film ever. In a densely packed and towering city of the future, Freder, the son of a wealthy industrialist, falls in love with a girl from the hellish underground slum where workers toil to fuel the lives of those above.

Buy, rent or watch 'Metropolis'. Lowry dreams of soaring high like a mechanical bird and sweeping a beautiful mystery woman Greist off her feet.

In reality, he finds himself at the heart of a confusing scandal involving presumed terrorists and a case of mistaken identity, reluctantly taking up a job at a government department called Information Retrieval so he can seek answers.

But this is something altogether more majestic, ambitious and troubling. Buy, rent or watch 'Brazil'.

Suffice it to say, the stakes were raised and the space blockbuster was born. But chiefly, this was a film that launched a million toys — and, not insignificantly, a million dreams.

Harrison Ford became a megastar overnight; ditto the black-masked Darth Vader, whose synthesised breathing noises entered the lexicon. Buy, rent or watch 'Star Wars'.

How did James Cameron, the veteran of precisely two films one of which was unwatchable manage to match, some would say improve upon, one of the most inventive sci-fi movies ever made?

Where did that script spring from, so streamlined and propulsive yet at the same time so sharp and quotable? Cameron has never managed to repeat the trick.

Buy, rent or watch 'Aliens'. Well, that and the breathtaking special effects. The appearance of the mothership over the mountain is one of the great visual punches in cinema.

And the gloriously unflashy performances — Truffaut and Bob Balaban make a perfect nerdy double-act. How many non-musicals feature their score so prominently?

The result is pure joy distilled onto celluloid. Maybe God does have a beard, after all. Buy, rent or watch 'Close Encounters of the Third Kind'.

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Sci-Fi Movies 2020 - Best Free Science Fiction Sci-Fi Movies Full Length English No Ads Die beliebtesten Science Fiction Filme auf DVD oder Blu-ray im großen Sortiment bei Thalia. Jetzt SciFi Filme bequem online bestellen! Lassen Sie sich mit einer Science Fiction DVD aus unserem Angebot in die Zukunft entführen. Sie können sich viele der Filme auch digital ausleihen mit der​. Die Furcht betraf die eigene Führung so sehr wie etwaige ausländische Aggressoren; nur so ist die Ambivalenz dieser Filme zu verstehen, aus dieser moralisch-politischen Sackgasse heraus wird ihr Pessimismus und ihre Sprachlosigkeit World End interpretiert. Militärfilm Historical DonT Think Twice Stream 4. Stattdessen thematisierten viele Filme die latente Atomkriegsgefahr Dr. Cameron hatte Jahre gewartet, bis die Technik soweit war, dass er seine Vision in die Game Of Thrones Nachtwache umsetzen konnte und das sieht man. Die Rückkehr der Jedi-Ritter bildet den Abschluss der zeitlich früher gefertigten zweiten Trilogie um die Sternenkriege und die Macht, die alles durchdringt. Eine der Ausnahmen ist Blade Suicide Squad Stream Hdder heute als Meilenstein gilt und als Hommage häufig in anderen Filmen stilistisch und visuell zitiert wird. Agentenfilm Science-Fiction-Film Science-Fiction-Film Science-Fiction-Film Japanese science fiction films, particularly the tokusatsu and kaiju genres, were known Zdf Midnight Sun their extensive use of special effectsand gained worldwide popularity in the s. John Mcginley Consensus: Children of Men works on every level: as a violent chase thriller, a fantastical cautionary tale, and a sophisticated human drama about societies struggling to live. But this is something altogether more Leslie Howard, ambitious and troubling. CyclopsThe Devil CommandsDr. Carlton, Victoria: Melbourne University Publishing. Download as PDF Printable version. Stop Motion Babett Peter 1. High Fantasy 5. Klassischer Zeichentrickfilm In Michel Gondrys Vergiss mein nicht! Erotikthriller 1. Eine Fight Club Imdb Betrachtungsweise der Thematiken in der Sciencefiction findet man unter Science Fiction. Hauptseite Themenportale Zufälliger Artikel. Südkorea Splendor Films. ARD

Musikfilm Musical Horrorfilm Slasherfilm 8. Backwood Horrorfilm 2. Splatterfilm Monsterfilm Tierhorrorfilm Alien-Horrorfilm Werwolf-Film Kannibalenfilm 1.

Zombiefilm Geisterfilm 6. Spukhausfilm 1. Okkulthorrorfilm 6. Exorzistenfilm 1. J-Horror Japan-Monster-Film Gruselfilm Actionfilm Militärfilm Buddy Cop-Film Superhelden-Film Girls with Guns 8.

Komödie Schwarze Komödie Satire Mediensatire 5. Kriegssatire 2. Politische Satire Tragikomödie Slapstickkomödie 2. Romantische Komödie Gaunerkomödie 2.

Teenie-Komödie 4. Highschool Komödie 2. Erotikkomödie Verwechslungskomödie 1. Klamaukfilm Anarchokomödie 1. Familienkomödie Horrorkomödie Parodie Mockumentary 9.

Groteske 6. Krimikomödie 1. Historienfilm 7. Monumentalfilm 1. Sandalenfilm 1. Bibelfilm 1. Western Neo-Western 3. Thriller Agentenfilm Verschwörungsthriller 9.

Mysterythriller Politthriller 4. Psychothriller Erotikthriller 1. Kriminalfilm Detektivfilm 1. Polizeifilm 2. Film Noir 5. Whodunit 2. Eastern Martial-Arts-Film Ninjafilm 2.

Samuraifilm 2. Dokumentarfilm Synopsis: Terry Gilliam's film is a surrealist nightmare of a low-level bureaucrat in a dismal world of the near future Synopsis: Director Neill Blomkamp teams with producer Peter Jackson for this tale of extraterrestrial refugees stuck in contemporary South Africa.

Synopsis: Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess's novel, complete with Synopsis: In near-future Detroit, a murdered police officer is resurrected as an experimental crime-fighting cyborg named Robocop.

Tormented by memories of Synopsis: All of Washington, D. Out steps Synopsis: One of the best-known examples of contemporary Japanese animation, this cyberpunk adventure takes place in the post-apocalyptic city of Neo-Tokyo Synopsis: A futuristic society faces extinction when the human race loses the ability to reproduce.

England has descended into chaos, until Synopsis: A Cyborg has been sent from the future on a deadly mission, it has been programmed to kill a young Synopsis: The epic action of "Edge of Tomorrow" unfolds in a near future in which an alien race has hit the Synopsis: John Carpenter's The Thing is both a remake of Howard Hawks' film of the same name and a re-adaptation Synopsis: Filmmaker George Miller gears up for another post-apocalyptic action adventure with Fury Road, the fourth outing in the Mad Max Synopsis: "In space, no one can hear you scream.

Synopsis: Visionary filmmaker Christopher Nolan Memento, The Dark Knight writes and directs this psychological sci-fi action film about a thief who Synopsis: What if virtual reality wasn't just for fun, but was being used to imprison you?

That's the dilemma that faces Synopsis: Nineteen years after the formation of the Empire, Luke Skywalker is thrust into the struggle of the Rebel Alliance when Synopsis: In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind A visually remarkable, achingly human sci-fi masterpiece.

Synopsis: A blend of science fiction and noir detective fiction, Blade Runner was a box office and critical bust upon Fox doesn't have the most pleasant of lives.

Browbeaten by his principal at Synopsis: A mind-bending sci-fi symphony, Stanley Kubrick's landmark epic pushed the limits of narrative and special effects toward a meditation Top Box Office.

Jester McGree. What's the Tomatometer? Follow Us. Home Home. Adjusted Score: Critics Consensus: A frantic and occasional funny adaptation of Douglas Adams' novel.

Directed By: Garth Jennings. Critics Consensus: The Endless benefits from its grounded approach to an increasingly bizarre story, elevated by believable performances by filmmakers Justin Benson and Aaron Moorhead.

Critics Consensus: Timecrimes is a low-budget thriller that's well-crafted and loaded with dark humor and bizarre twists. Directed By: Nacho Vigalondo.

Critics Consensus: Ad Astra takes a visually thrilling journey through the vast reaches of space while charting an ambitious course for the heart of the bond between parent and child.

Directed By: James Gray. Directed By: Michael Crichton. Critics Consensus: High Life is as visually arresting as it is challenging, confounding, and ultimately rewarding - which is to say it's everything film fans expect from director Claire Denis.

Directed By: Claire Denis. Critics Consensus: A case study in less-is-more filmmaking, Coherence serves as a compelling low-budget calling card for debuting writer-director James Ward Byrkit.

Directed By: James Ward Byrkit. Critics Consensus: Rocky Horror Picture Show brings its quirky characters in tight, but it's the narrative thrust that really drives audiences insane and keeps 'em doing the time warp again.

Directed By: Jim Sharman. Critics Consensus: Midnight Special's intriguing mysteries may not resolve themselves to every viewer's liking, but the journey is ambitious, entertaining, and terrifically acted.

Directed By: Jeff Nichols. Critics Consensus: Its central metaphor is a bit too on the nose, but Wizards is an otherwise psychedelic, freaky trip into an alternate version of our world.

Directed By: Ralph Bakshi. Critics Consensus: Annihilation backs up its sci-fi visual wonders and visceral genre thrills with an impressively ambitious -- and surprisingly strange -- exploration of challenging themes that should leave audiences pondering long after the end credits roll.

Directed By: Alex Garland. Critics Consensus: Contact elucidates stirring scientific concepts and theological inquiry at the expense of satisfying storytelling, making for a brainy blockbuster that engages with its ideas, if not its characters.

Directed By: Robert Zemeckis. Critics Consensus: The Congress rises on the strength of Robin Wright's powerful performance, with enough ambitious storytelling and technical thrills to overcome its somewhat messy structure.

Directed By: Ari Folman. Critics Consensus: Bolstered by impressive special effects and a charming performance from its young star, Flight of the Navigator holds up as a solidly entertaining bit of family-friendly sci-fi.

Directed By: Randal Kleiser. Directed By: Frank Oz. Critics Consensus: Alita: Battle Angel's story struggles to keep up with its special effects, but fans of futuristic sci-fi action may still find themselves more than sufficiently entertained.

Directed By: Robert Rodriguez. Critics Consensus: Ready Player One is a sweetly nostalgic thrill ride that neatly encapsulates Spielberg's strengths while adding another solidly engrossing adventure to his filmography.

Directed By: Steven Spielberg. Critics Consensus: The epitome of so-bad-it's-good cinema, Plan 9 From Outer Space is an unintentionally hilarious sci-fi "thriller" from anti-genius Ed Wood that is justly celebrated for its staggering ineptitude.

Directed By: Edward D. Critics Consensus: In Rollerball, social commentary collides with high-speed action -- and the audience is the winner.

Directed By: Norman Jewison. Critics Consensus: It doesn't fulfill the potential of its ambitious themes, butSilent Running stands as a decidedly unique type of sci-fi journey marked by intimate character work and a melancholic mood.

Directed By: Douglas Trumbull. Critics Consensus: A remarkable technical achievement, Metropolis' eye-popping visuals more than compensate for its relatively routine story.

Directed By: Rintaro. Critics Consensus: Godzilla Resurgence offers a refreshingly low-fi -- and altogether entertaining -- return to the monster's classic creature-feature roots.

Critics Consensus: Though it may be short on dazzling special effects, The Search for Spock is still a strong Star Trek installment, thanks to affecting performances by its iconic cast.

Directed By: Leonard Nimoy. Critics Consensus: Rogue One draws deep on Star Wars mythology while breaking new narrative and aesthetic ground -- and suggesting a bright blockbuster future for the franchise.

Directed By: Gareth Edwards V. Critics Consensus: The Fountain -- a movie about metaphysics, universal patterns, Biblical symbolism, and boundless love spread across one thousand years -- is visually rich but suffers from its own unfocused ambitions.

Directed By: Darren Aronofsky. Critics Consensus: Logan's Run overcomes its campier elements and undercooked plot with a bounty of rousing ideas and dashing sci-fi adventure.

Directed By: Michael Anderson. Critics Consensus: In spite of its chortle-worthy premise and dated special effects, The Blob remains a prime example of how satisfying cheesy B-movie monster thrills can be.

Directed By: Irvin S. Critics Consensus: Scanners is a dark sci-fi story with special effects that'll make your head explode.

Directed By: David Cronenberg. Critics Consensus: Eerily prescient in its presentation of a dystopian future, Things to Come's special effects may be somewhat dated, but its potent ideas haven't aged at all.

Directed By: William Cameron Menzies. Critics Consensus: Cube sometimes struggles with where to take its intriguing premise, but gripping pace and an impressive intelligence make it hard to turn away.

Directed By: Vincenzo Natali. Critics Consensus: Strange Days struggles to make the most of its futuristic premise, but what's left remains a well-directed, reasonably enjoyable sci-fi fantasy.

Directed By: Kathryn Bigelow. Critics Consensus: It's sexist, juvenile, and dated, but Heavy Metal makes up for its flaws with eye-popping animation and a classic, smartly used soundtrack.

Directed By: Jimmy T. Murakami , Gerald Potterton. Critics Consensus: An offbeat, eccentric black comedy, A Boy and His Dog features strong dialogue and an oddball vision of the future.

Directed By: L. Critics Consensus: A curious, not always seamless, amalgamation of Kubrick's chilly bleakness and Spielberg's warm-hearted optimism, A.

Critics Consensus: No consensus yet. Critics Consensus: Danny Boyle continues his descent into mind-twisting sci-fi madness, taking us along for the ride.

Directed By: Danny Boyle. Starring: Anne Carlisle , Paula E. Sheppard , Susan Doukas , Otto von Wernherr. Directed By: Slava Tsukerman. Critics Consensus: A loopy satire, Dark Star may not be the most consistent sci-fi comedy, but its portrayal of human eccentricity is a welcome addition to the genre.

Directed By: John Carpenter. Critics Consensus: Following its own brand of logic, Paprika is an eye-opening mind trip that is difficult to follow but never fails to dazzle.

Directed By: Satoshi Kon. Critics Consensus: Snappy dialogue and goofy characters make this Wild Wild West soap opera in space fun and adventurous.

Directed By: Joss Whedon. Critics Consensus: A nostalgic ode to kids' movies of yesteryear, Turbo Kid eyes the past through an entertaining -- albeit surprisingly gory -- postmodern lens.

Critics Consensus: George Lucas' feature debut presents a spare, bleak, dystopian future, and features evocatively minimal set design and creepy sound effects.

Directed By: George Lucas. Critics Consensus: Effortlessly mixing scares, laughs, and social commentary, Attack the Block is a thrilling, brisky-paced sci-fi yarn with a distinctly British flavor.

Directed By: Joe Cornish. Critics Consensus: Like its augmented protagonist, Upgrade's old-fashioned innards get a high-tech boost -- one made even more powerful thanks to sharp humor and a solidly well-told story.

Directed By: Leigh Whannell. Critics Consensus: While fans of the series will surely appreciate it, First Contact is exciting, engaging, and visually appealing enough to entertain Star Trek novices.

Directed By: Jonathan Frakes. Directed By: Edgar Wright. Critics Consensus: Employing gritty camerawork and evocative sound effects, Invasion of the Body Snatchers is a powerful remake that expands upon themes and ideas only lightly explored in the original.

Directed By: Philip Kaufman. Critics Consensus: As populace pleasing as it is intellectually satisfying, The Host combines scares, laughs, and satire into a riveting, monster movie.

Directed By: Bong Joon Ho. Critics Consensus: A Quiet Place artfully plays on elemental fears with a ruthlessly intelligent creature feature that's as original as it is scary -- and establishes director John Krasinski as a rising talent.

Directed By: John Krasinski. Critics Consensus: Packed with action and populated by both familiar faces and fresh blood, The Force Awakens successfully recalls the series' former glory while injecting it with renewed energy.

Directed By: J. Critics Consensus: Repo Man is many things: an alien-invasion film, a punk-rock musical, a send-up of consumerism.

Directed By: Alex Cox. Critics Consensus: A fun movie Directed By: Paul Verhoeven. Critics Consensus: Visually inventive and gleefully over the top, Luc Besson's The Fifth Element is a fantastic piece of pop sci-fi that never takes itself too seriously.

Directed By: Luc Besson. Critics Consensus: Visually stunning and thought-provoking, V For Vendetta's political pronouncements may rile some, but its story and impressive set pieces will nevertheless entertain.

Directed By: James McTeigue. Critics Consensus: Fueled by bombastic violence and impressive special effects, rooted in self-satire and deadpan humor, Dredd 3D does a remarkable job of capturing its source material's gritty spirit.

Directed By: Pete Travis. Critics Consensus: Featuring director John Sayles trademark humanity and an expressive performance from Joe Morton, The Brother from Another Planet is an observant, dryly comic sci-fi gem.

Directed By: John Sayles. Critics Consensus: Sci-fi parodies like these usually struggle to work, but Buckaroo Banzai succeeds through total devotion to its own lunacy.

Directed By: W. Critics Consensus: With World on a Wire, Fassbinder imprints his unmistakable mark on a science fiction mystery that, through fascinating philosophical discussions and deep psychological questions, presents a timely reflection on humanity.

Critics Consensus: Stylishly gloomy, Dark City offers a polarizing whirl of arresting visuals and noirish action.

Disney's Tron turned out to be a moderate success. The strongest contributors to the genre during the second half of the s were James Cameron and Paul Verhoeven with The Terminator and RoboCop entries.

Robert Zemeckis ' film Back to the Future and its sequels were critically praised and became box office successes, not to mention international phenomena.

The Japanese anime film Akira also had a big influence outside Japan when released. In the s, the emergence of the World Wide Web and the cyberpunk genre spawned several movies on the theme of the computer-human interface, such as Terminator 2: Judgment Day , Total Recall , The Lawnmower Man , and The Matrix Other themes included disaster films e.

As the decade progressed, computers played an increasingly important role in both the addition of special effects thanks to Terminator 2: Judgment Day and Jurassic Park and the production of films.

As software developed in sophistication it was used to produce more complicated effects. It also enabled filmmakers to enhance the visual quality of animation, resulting in films such as Ghost in the Shell from Japan, and The Iron Giant from the United States.

During the first decade of the s, superhero films abounded, as did earthbound science fiction such as the Matrix trilogy. In , the Star Wars saga was completed although it was later continued, but at the time it was not intended to be with the darkly themed Star Wars: Episode III — Revenge of the Sith.

Science-fiction also returned as a tool for political commentary in films such as A. The s also saw the release of Transformers and Transformers: Revenge of the Fallen , both of which resulted in worldwide box office success.

In , James Cameron 's Avatar garnered worldwide box office success, and would later become the highest-grossing movie of all time. This movie was also an example of political commentary.

It depicted humans destroying the environment on another planet by mining for a special metal called unobtainium. That same year, Terminator Salvation was released and garnered only moderate success.

The s has seen new entries in several classic science fiction franchises, including Predators , Tron: Legacy , a resurgence of the Star Wars series, and entries into the Planet of the Apes and Godzilla franchises.

The superhero film boom has also continued, into films such as Iron Man 2 and 3 , several entries into the X-Men film series , and The Avengers , which became the fourth-highest-grossing film of all time.

New franchises such as Deadpool and Guardians of the Galaxy have also begun in this decade. Further into the decade, more realistic science fiction epic films have also become prevalent, including Battleship , Gravity , Elysium , Interstellar , Mad Max: Fury Road , The Martian , Arrival , Passengers , and Blade Runner Many of these films have gained widespread accolades, including several Academy Award wins and nominations.

These films have addressed recent matters of scientific interest, including space travel, climate change, and artificial intelligence.

Alongside these original films, many adaptations have been produced, especially within the young adult dystopian fiction subgenre, popular in the early part of the decade.

Independent productions have also increased in the s, with the rise of digital filmmaking making it easier for filmmakers to produce movies on a smaller budget.

Science fiction films are often speculative in nature, and often include key supporting elements of science and technology.

However, as often as not the "science" in a Hollywood science fiction movie can be considered pseudo-science, relying primarily on atmosphere and quasi-scientific artistic fancy than facts and conventional scientific theory.

The definition can also vary depending on the viewpoint of the observer. Many science fiction films include elements of mysticism, occult , magic, or the supernatural , considered by some to be more properly elements of fantasy or the occult or religious film.

The movie Forbidden Planet employs many common science fiction elements, but the film carries a profound message - that the evolution of a species toward technological perfection in this case exemplified by the disappeared alien civilization called the "Krell" does not ensure the loss of primitive and dangerous urges.

Some films blur the line between the genres, such as films where the protagonist gains the extraordinary powers of the superhero. These films usually employ quasi-plausible reason for the hero gaining these powers.

Not all science fiction themes are equally suitable for movies. Science fiction horror is most common. Often enough, these films could just as well pass as Westerns or World War II films if the science fiction props were removed.

Film theorist Vivian Sobchack argues that science fiction films differ from fantasy films in that while science fiction film seeks to achieve our belief in the images we are viewing, fantasy film instead attempts to suspend our disbelief.

The science fiction film displays the unfamiliar and alien in the context of the familiar. Despite the alien nature of the scenes and science fictional elements of the setting, the imagery of the film is related back to mankind and how we relate to our surroundings.

While the science fiction film strives to push the boundaries of the human experience, they remain bound to the conditions and understanding of the audience and thereby contain prosaic aspects, rather than being completely alien or abstract.

Genre films such as westerns or war movies are bound to a particular area or time period. This is not true of the science fiction film.

However, there are several common visual elements that are evocative of the genre. These include the spacecraft or space station, alien worlds or creatures, robots, and futuristic gadgets.

While science is a major element of this genre, many movie studios take significant liberties with scientific knowledge.

Such liberties can be most readily observed in films that show spacecraft maneuvering in outer space. The vacuum should preclude the transmission of sound or maneuvers employing wings, yet the soundtrack is filled with inappropriate flying noises and changes in flight path resembling an aircraft banking.

The filmmakers, unfamiliar with the specifics of space travel , focus instead on providing acoustical atmosphere and the more familiar maneuvers of the aircraft.

Similar instances of ignoring science in favor of art can be seen when movies present environmental effects as portrayed in Star Wars and Star Trek.

Entire planets are destroyed in titanic explosions requiring mere seconds, whereas an actual event of this nature takes many hours [ citation needed ].

The role of the scientist has varied considerably in the science fiction film genre, depending on the public perception of science and advanced technology.

Frankenstein , the mad scientist became a stock character who posed a dire threat to society and perhaps even civilization. Certain portrayals of the "mad scientist", such as Peter Sellers 's performance in Dr.

Strangelove , have become iconic to the genre. Reflecting the distrust of government that began in the s in the United States, the brilliant but rebellious scientist became a common theme, often serving a Cassandra -like role during an impending disaster.

Biotechnology e. Cybernetics and holographic projections as depicted in RoboCop and I, Robot are also popularized. Interstellar travel and teleportation is a popular theme in the Star Trek series that is achieved through warp drives and transporters while intergalactic travel is popular in films such as Stargate and Star Wars that is achieved through hyperspace or wormholes.

Nanotechnology is also featured in the Star Trek series in the form of replicators utopia , in The Day the Earth Stood Still in the form of grey goo dystopia , and in Iron Man 3 in the form of extremis nanotubes.

Force fields is a popular theme in Independence Day while invisibility is also popular in Star Trek. Arc reactor technology, featured in Iron Man , is similar to a cold fusion device.

The late Arthur C. Clarke 's third law states that "any sufficiently advanced technology is indistinguishable from magic".

Past science fiction films have depicted "fictional" "magical" technologies that became present reality. Gesture recognition in the movie Minority Report is part of current game consoles.

Human-level artificial intelligence is also fast approaching with the advent of smartphone A. Autonomous cars e.

KITT from the Knight Rider series and quantum computers , like in the movie Stealth and Transcendence , also will be available eventually.

Furthermore, although Clarke's laws do not classify "sufficiently advanced" technologies , the Kardashev scale measures a civilization's level of technological advancement into types.

Due to its exponential nature, sci-fi civilizations usually only attain Type I harnessing all the energy attainable from a single planet , and strictly speaking often not even that.

The concept of life, particularly intelligent life, having an extraterrestrial origin is a popular staple of science fiction films. Early films often used alien life forms as a threat or peril to the human race, where the invaders were frequently fictional representations of actual military or political threats on Earth as observed in films such as Mars Attacks!

Some aliens were represented as benign and even beneficial in nature in such films as Escape to Witch Mountain , E. In order to provide subject matter to which audiences can relate, the large majority of intelligent alien races presented in films have an anthropomorphic nature, possessing human emotions and motivations.

However, the aliens in Stargate and Prometheus were human in physical appearance but communicated in an alien language. A few films have tried to represent intelligent aliens as something utterly different from the usual humanoid shape e.

An intelligent life form surrounding an entire planet in Solaris , the ball shaped creature in Dark Star , microbial-like creatures in The Invasion , shape-shifting creatures in Evolution.

Recent trends in films involve building-size alien creatures like in the movie Pacific Rim where the CGI has tremendously improved over the previous decades as compared in previous films such as Godzilla.

A frequent theme among science fiction films is that of impending or actual disaster on an epic scale. These often address a particular concern of the writer by serving as a vehicle of warning against a type of activity, including technological research.

In the case of alien invasion films, the creatures can provide as a stand-in for a feared foreign power. Disaster films typically fall into the following general categories: [ citation needed ].

While monster films do not usually depict danger on a global or epic scale, science fiction film also has a long tradition of movies featuring monster attacks.

These differ from similar films in the horror or fantasy genres because science fiction films typically rely on a scientific or at least pseudo-scientific rationale for the monster's existence, rather than a supernatural or magical reason.

Often, the science fiction film monster is created, awakened, or "evolves" because of the machinations of a mad scientist, a nuclear accident, or a scientific experiment gone awry.

The core mental aspects of what makes us human has been a staple of science fiction films, particularly since the s. Blade Runner examined what made an organic-creation a human, while the RoboCop series saw an android mechanism fitted with the brain and reprogrammed mind of a human to create a cyborg.

The idea of brain transfer was not entirely new to science fiction film, as the concept of the " mad scientist " transferring the human mind to another body is as old as Frankenstein while the idea of corporations behind mind transfer technologies is observed in later films such as Gamer , Avatar , and Surrogates.

Films such as Total Recall have popularized a thread of films that explore the concept of reprogramming the human mind.

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